In my discussion with Dane last week, I realised that what I'm more leaning towards is the social aspect of production in terms of flow. There is a process through both mediums of column production in roman times and animation in the present day. Both have workers gathering and transporting the resources which were formed chemically in nature. The training of people to craft this beautiful objects. The bringing of them together in waves of productivity. Each craft mostly performed in the same place during daylight hours, planned to function over a course of time. Each part of the craft being made in little seperate parts with a central core. Timing is animations core, and the metal rod and central holy is the columns core. A time chart in this regard is comparable to the central core and therefore pure idea of a column. The position in space, the dimensions, and the feel is dictated by a gestural line representing both space and time for both animation and column building.
As advised I need to really start refining on what process I exactly intend to craft out of these two. It's bizarre because in my head I feel these two to be absolutely tied in a way that is unmovable. But to put it into words, that's another task. I would love to explore the nature between space and time but perhaps I should leave the social gathering aspect by the roadside to keep the assignment doable.
I really adore the idea of comparing the segmented process held by a literally pole of planning. In the form of a metal pipe. In the form a line to plot movement path with timing notes. It'll be interesting to represent this in a physical sculpture next term.
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